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I'm Here
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HouseBreaker recommends:
A compilation EP from our weblabel WePushButtons. Has some interesting takes on bass music, hip-hop, house and liquid.
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supported by 6 fans who also own “I'm Here”
A exploration of different flavors of electronica, slotting different pieces into a simple, yet satisfying framework to create something multi-faceted, yet connected. There's some flavors of ambience sneaking around near the ending and some harsher tones explored in 'Minus' that almost give it a factory-like feel, but the biggest standout is the synth-pop flavor added in 'Grey Eminence'. This one's a grab bag with a lot of fun stuff tucked inside, definitely give it a listen.
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supported by 5 fans who also own “I'm Here”
the bass on this is perfect, my god. the heaviness and the grit is perfect, and the fact that ya hear that from beginning to end is FANTASTIC!! i especially love the inclusion of more high-pitched instrumentals like the pianos, namely. and when they leave, oh Goddddd does it get real hardcore. this really is ultra demonpowered supercharged hardcore, no joke. not only that, this album is Hellaaaa innovative with its composition. some seriously good sequences (esp w the chiptune) going on, love it
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supported by 5 fans who also own “I'm Here”
my hot wires fucks HARD. speak up buddy also very swag. now this may come as a shock but maybe this person is just good at music
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On the gorgeously unsettling new record from Ariahindream, haunting vocal melodies drift through dark, swirling clouds of electronics.
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Cosmos of the Soul
by Amie Waters
An instrumental queer space opera from Portland synthwave artist Amie Waters, who uses a universal mythos to illustrate a personal journey.
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